Genre: Anime / Horror
IMDB Rating: 6.1 / 10
For a while there I thought this day would never come. After more than a year of subjecting myself to a never-ending barrage of penis tornadoes, Nazi death rape machines, incest-not-incest, and Orgies By Infants™, I’m finally free! I have borne witness to things that no person, Japanese or otherwise, should to be subjected to (the inhuman things that Russian women were offering to do for and to me while I was trying to find subtitles alone would make your hair stand on end). With the closing credits to Urotsukidōji V: The Final Chapter I rid myself of this evil and draw to an end this protracted attack on my psyche!
Unlike the other installments in this franchise, which were complete if nonsensical, part 5 was scrapped before it was finished, so what we have here is the beginning of a story without an end, and it’s got some major retconning it wants to do in its 50 or so minutes of runtime.
Remember the Overfiend from all the previous installments? Wrong! That wasn’t the Overfiend. That was a false Overfiend sent from the Demon Realm to fool us into something something something. In order to make itself more powerful it tried to steal the Lord of Chaos’ power by sexing it out of her. Himi (the Lord of Chaos) isn’t one to be out-sexed, however, and launches a counter sex attack and steals all of his power instead. The false Overfiend vanquished and its powers slowly dripping down Himi’s thigh the Lord of Chaos vanishes, never to bog down the new story line again.
So where does that leave us? Somehow through a series of explanations that really didn’t make any sense Amano (our always lovely anti-hero) finds himself staring out at the same evening from the end of the first installment: Nagumo, in the form of the Destroyer Demon, is busy destroying the world, Akemi’s still pregnant with the Overfiend, and demons are running around raping and killing everything in sight. BUT! while it is still the exact same evening, 100 years have also passed, and the true Overfiend is ready to be born.
In a manner truly becoming of the Urotsukidōji series the Overfiend isn’t so much born as it is orgasmed out of Akemi in a truly bizarre and green-tinged birthing/self-pleasure scene. Her duties fulfilled Amano moves to save Akemi and return her to a normal life (in a world that’s being blown to pieces), but the Overfiend isn’t done with any of them yet.
The true Overfiend has grown tired of the Humans, Beasts, and Demons, and has decided to pit these three against one another until they bring about their own mutually assured extinction. In their place the Overfiend wants to leave his new race: the Messengers of Imagination. This race is neither male nor female but at the same time is both. What I mean by this is that they have masculine and feminine features (a very feminine face but a flat masculine chest, for example) and no demonstrable genitalia. No demonstrable genitalia, that is, unless they want to have sex, in which case they can grow whatever they want and swap between the two at will. They also speak to one another by making a noise that sounds like a very sexy and seductive pigeon.
Naturally Amano isn’t about to just hand over the collapsing world to these oddly ravishing creatures in their skin-tight pink outfits who keep falling from the sky out of the Overfiend’s vagina spaceship. The war to save the three warring races from the new genocidal race is on (and we’re never going to find out how it ends)!
The whole thing harks back to the first installment in terms of its graphic depiction of violence and general sexual depravity, so a lot of whether you’re going to enjoy The Final Chapter hinges on whether or not you enjoyed where the story began.
What does become an issue is that not only was the story left unfinished, this actual episode was unfinished as well. As a result the animation is rather choppy, with in-between frames missing which leaves the action happening on-screen jumping around a little bit. It also relies a fair bit on re-using scenes from previous installments (again, primarily the first one) to pad out its runtime. Given that the style shifted and changed slightly over the years, added to the unpolished veneer of its own animation, what you’re left with can, at times, be a somewhat jarring backwards and forwards in terms of quality.
Over the course of the depravity that is Urotsukidōji I have come, the unnerving father animatronic-daughter sex scene aside, to appreciate this series for what it is. This story, and particularly the new race of beings it introduced, had a lot of potential. Squelchy potential, mind you, but potential none the less. For the first time I was actually quite interested to see where they wanted to go with the story, and it seems a tad bit unfair that by the time I eventually get into what I’m watching they decide that they don’t want to do anything with it anymore. I guess that’s just how the cookie crumbles sometimes, and believe me, many cookies have crumbled over the course of this franchise.
So, to reiterate: it’s done! It’s finally done! Never again will I be subjected to a… what’s that?… I’m sorry, I must have misheard you. I could’ve sworn that you… The New Saga?! YOU HAVE TO BE FUCKING KIDD… We’ll be right back.
My Final Rating: 5 / 10